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Mosamia

Projects

The finished mosaic photographed in place: the portrait panel mounted on a brushed metal backing in a lobby, individual tesserae catching the light unevenly across the face, the polished stone floor below holding a soft reflection.
Photograph of finished work

01

Atatürk Portrait

155 cm × 185 cm (61 in × 72.8 in)

The full artwork as a mosaic simulation: a three-quarter portrait of Atatürk against a black ground, the face built from fine cream, rose and grey tesserae, with heavy shadow across the brow and a pale jacket and collar at the lower left.
Mosaic simulation
Close view of the simulation, resolved into separate square stone tesserae — rose, apricot and cream marbles across the cheek, each piece carrying its own veining, dropping through deep red to a row of near-black pieces along the bottom edge.
Simulation close-up
The finished mosaic photographed in a stone showroom: the eye panel standing free on low metal feet, its edge and fixings visible, with marble slabs, a round stone table and a veined grey plinth around it.
Photograph of finished work

02

Atatürk Eye Study

280 cm × 185 cm (110.2 in × 72.8 in)

The full artwork as a mosaic simulation: a single eye and brow filling a wide panel, drawn in fine rust and sepia tesserae over a warm cream ground, the lashes and brow hairs rendered as individual strokes and the iris a cool grey-blue.
Mosaic simulation
Close view of the simulation, resolved into separate square stone tesserae — rose, burgundy, tan and grey marbles set on a regular grid, each piece a distinct cut of stone with its own veining, a few black pieces scattered through.
Simulation close-up
The finished mosaic photographed in place: the leopard panel hung in a dark frame on an interior wall, washed by two ceiling downlights that rake across the surface so the gold tesserae flare and the black ground stays deep.
Photograph of finished work

03

Leopard in the Thicket

310 cm × 375 cm (122 in × 147.6 in)

The full artwork as a mosaic simulation: a leopard's face fills the square panel, amber and black rosettes across the brow and cheeks, both eyes catching the light, pale whiskers cutting across the dark foliage that closes in around it.
Mosaic simulation
Close view of the same simulation, resolved into separate square stone tesserae — cream, ochre and rust marbles stepping the muzzle and the pale whisker pads into blocks against a field of near-black pieces.
Simulation close-up
Close photograph of the finished mosaic: the leopard's eye and cheek in real stone and glass, individual tesserae throwing scattered specular glints at different angles, the physical relief of each piece visible at the grout lines.
Photograph of finished work
The finished mosaic photographed in place: the panoramic panel in a light timber frame running the length of a café wall above banquette seating, lit by a warm linear fixture, with marble-topped tables and cane chairs below.
Photograph of finished work

04

Figures in an Open Landscape

125 cm × 350 cm (49.2 in × 137.8 in)

The customer's original photograph: a family working across a sunlit wheat field, three figures crouched low among the cut stalks and two standing, a dark treeline along the horizon behind them.
Original photograph
The full artwork as a mosaic simulation: a long panoramic band of figures on a pale sandy expanse, a dark green treeline running behind them, the whole quantised into a fine regular grid of flat-toned tesserae.
Mosaic simulation
Close photograph of the finished mosaic from an oblique angle: rows of small rectangular tesserae running away down the panel, each catching the warm strip light differently, with the soft shadow of a passing figure falling across the surface.
Photograph of finished work
The finished mosaic photographed in place: the head of Venus laid across a tall curved wall in a stone showroom, the tesserae following the flow of her hair and throwing scattered gold glints under two track spotlights, an engraved travertine panel to the right.
Photograph of finished work

05

The Birth of Venus

530 cm × 345 cm (208.7 in × 135.8 in)

Close view of the mosaic simulation, resolved into separate square stone tesserae — the eye and brow of Venus stepped into blocks of cream, apricot and rose marble, the lash line dropping through black and deep red pieces.
Simulation close-up

From the atelier

Finished panels filmed in the workshop and the showroom — before they are crated, and before a wall is chosen.